PART 6    Ch.XXXVIII.2 (I – IV)

The Great Pelasgian empire

(The memory of Saturn in Romanian historical traditions)

 

PART 6

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XXXVIII. 2. The name and personality of Saturn in traditional Romanian poems.

 

I.

 

In Greco-Roman antiquity, Saturn had various names with various peoples. He was called Kronos by the Greeks, Saturnus by the Romans, Seb by the Egyptians, El by the Phoenicians and Zalmoxis (Deul mos, Old god) by the Dacians. Under the name Kronos, Saturn also had in Greek theogonies the epithet neotatos (from neos), with the meaning “the youngest” among the sons of Uranos, or “the youngest” amongst the gods (Apollod. Bibl. I. 1. 3; Diodorus, I. 27).

Under this particular name, Saturn also figures in the epic poems of the Romanian people, the age of which is reduced to very remote times. In these traditional songs, Saturn is called Novac, a word which in southern Slav languages means young.

Novac” corresponds therefore, by its form and meaning, to the Greek neos, from which the epithet neotatos was formed in Greek literature [1].

 

[1.Epic poems about Novac: Marienescu, Balade, I. Pesta, 1850; Corcea, Balade pop., Caransebes, 1899; Marian, Poesii pop. I. 1873; Negoescu, Poesii pop. Balade. Bucuresci, 1896; Tocilescu, Materialuri folkl. Bucuresci, 1900; Bibicescu, Poesii pop. din Transilvania. Bucuresci, 1893; Alexici, Texte din lit. pop. Rom. I., Budapesta, 1899; Francu, Romanii din Muntii apuseni. Bucuresci, 1888; Hasdeu, Columna lui Traian, 1882; Etym. magn. Rom. t. III. p. 2256 seqq; Gerhard’s Gesange d. Serben, Leipzig, 1877; N. Densusianu’s collection].

 

In these popular epic poems, he is also named “Novac the old”, “Old Novac, who’s been living for one century”, and “Novac, old, old man”, also called “Baba Novac”, with the same meaning. Similarly, Kronos also had the epithet presbytes and presbytatos in Greek traditions (Eschyl, Eum. v. 638; Lucianus, Sat. 5; Diodorus, I. v. 66) and senex with the Romans [2].

 

[2. Albericus writes about Saturn (De deor. Imag.: “Saturnus pingebatur, ut homo senex, canus, prolixa barba, curuus. Novac the old has the same appearance in Romanian epic songs.

He is tall and stooping, his chest quite hollow, his white beard reaching to his waist (Glambocata commune, Dambovita district; Surdila Gaisenca, Braila district; Bragadir, Teleorman district)].

 

Saturn was also known under this same name “Novac the old” in the sacred literature of the ancient Egyptians. In Egyptian religious hymns, the age of which is reduced at least to the 15th century bc, Saturn is also called the “Old youth”, Jeune aine (Maspero’s translation, Etudes d. myth. et d’arch. egypt. II. 449; II. 457). The origin of this name can only be explained by the traditional Romanian form “Novac the old” (TN – the Old youth).

Saturn also appears under the name Noachus and Noe in the popular legends of the western parts of Europe [3].

 

[3. Noah of the religious legends of the Hebrews is the same personality as Saturn. According to Chaldean traditions, the biblical flood had taken place in the times of Saturn (Fragm. Hist. gr. v. 280). According to John the Antiochian, Saturn was a descendent of Noah. In ancient Hebrew language, noah also had the meaning of “new” (young)].

 

In the historical traditions of Italy, Saturn was considered as one of the oldest founders of Rome.

This historical memory appeared again in the course of the Middle Ages, with various authors and in various writings. In these medieval traditions, the ancient founder of Rome and of the Capitolium, figures, not under the name Saturn, but under the name Noachus and Noe (Graf, Roma nella memoria del medio evo. Vol. I. p. 81, 86-87, 83; Nieupoort, Rituum…apud Romanos succincta explication, ed. 1783, p. 225; Juvenal, Sat. VI. 11).

We have here in any case a folk tradition, not of Christian origin, which has passed from antiquity to the Middle Ages, and which appeared only as a simple echo of some ancient legends and historical folk songs. The substitution of Saturn with Noah cannot be considered as a simple fiction of the Christian authors, as we similarly cannot reduce to the holy books of the Hebrews the epithet “neotatos” hold by Saturn in Greek traditions, or his name of “Jeune aine” in the Egyptian religious hymns.

 

Finally, under the name Noe, Saturn was also venerated in the religious cult of the Pelasgian peoples from the territory of ancient Gallia. The famous festivity of the Saturnalia, which remembered the happy age, or golden, of the time of the reign of Saturn, is still called today in various regions of France Noel, but especially Noye by the Bressons, Noue by the Picards, and Noie by the Vallons (Littre, Dict. d. l. langue francaise), a name which cannot be considered as a simple contraction from the Latin noun “natalis” (the day of birth).

The etymology of “Noel” is reduced without doubt to the Latin form novellus, with the meaning of “young”; Italian novello, giovine; Friulian novell, neonato, ultimonato (Pirona, Vocab. Friulano, 1871); novel, giovane in the dialect from Como (Monti, Vocab. dei dialetti di Como, 1845).

 

We resume therefore: in the oldest Greek traditions, Saturn has the epithet neotatos, from “neos”, young; the Egyptians call him the Old youth (Jeune aine); in the medieval traditions of Italy he is Noachus and Noe; in the religious cult of the Pelasgian peoples from the territory of Gallia he was venerated as Noel, Noye and Noie; and in the epic songs of the Romanian people he figures as Novac, having the same traditional meaning as in the above names.

 

II.

 

In regard to the nationality of Novac, he appears in Romanian epic songs as a brave man from the “old Latani” - Prisci Latini (Corcea, Balade, p. 81), as a brave Romanian, called Novac Kara – Iflak (Novac Negrul / Black Valach).

As a historical personality, he is a Romanian Domn (Corcea, Balade, p. 94), a son of emperor (Hasdeu, Columna lui Traian, 1882, p. 354), and emperor. Finally, he is also called Deu-Imperat (TN – God Emperor), so he belongs therefore to the ancient Pelasgian divine dynasty. (A popular tradition from Maldar commune, Olt, says: “It is told that Novac was the emperor of the giants).

 

Saturn, as the ancient traditions tell us, had made a number of expeditions and had traveled around the whole inhabited world. In Romanian epic songs, Novac, who represents the ancient type of Saturn, says the following towards his son: “Nine countries I walked, Nine countries, all of them Romanian” (Hasdeu, Columna lui Traian, 1882, 620).

The number of 9 Pelasgian countries or Arimic, was also known to the Egyptian priests from the times of the Pharaohs. In the ancient system of the hieroglyphs, the barbarian peoples, enemies of the Egyptians, were represented by 9 symbolic arches (Pierret, Le Pantheon Egypt. p. 29). The Pelasgian empire of the times of Saturn contained therefore 9 Arimic countries.

Saturn had been one of the most bellicose kings of the divine dynasty. We have the same tradition in the Romanian epic songs about Novac. He tells his son, that for as long as he had been young, “seven wars he had waged, and when he left for war, his enemies were terrified” (Catana, p. 110; Bibicescu, p. 303).

 

In Italic traditions, Saturn is the historical representative of the cultivation of fields. He had introduced in the Italic peninsula the first agricultural notions, the culture of the cereals and of the fruit trees. In the Roman inscriptions of Africa he is called Deus frugum Saturnus frugifer Augustus (C. I. L. vol. VIII, nr. 4581, 2666).

In the same way appears Novac in Romanian epic songs, as the beginner and patron of agricultural works. He is often named the “Mana of the fields” and he considers the benefits of agriculture superior to those of art and war (Marienescu, Balade, I. 69; Bibicescu, Poesii pop. p. 290; Corcea, Balade, p. 92) [4].

 

[4. In a traditional Romanian song, Novac counsels his son Gruia like this:     

 

Forget the wandering, and take up plowing,

Give your broadsword for two oxen, and your sword for other two,

As at home we also have two, we’ll make a plough with six oxen,

And together we shall plough.

 

(Gruia Vitezul, Gherla, 1894, p. 5)

 

III.

 

According to Romanian epic poems, the genealogy of the Novac family appears as such:

            Iancul emperor, the father of Novac the old.

            Novac the old, son of emperor, emperor, and god-emperor.

Three sons of Novac: Iovita or Iova, Gruia, and the name of the third unknown (Sezatoarea, Falticeni, I. 45; Homer, Iliad. XV. 187; Philo, Ph. H. fr. 2).

Rusanda, daughter of Novac. (In Greek tradition Rusanda figures under the name Erythea and is the mother of Eurythion, who guarded the herds of Geryon (Hellanic, fr. 41)

Iovita or Iova, illegitimate son of Novac.

Iovita or Iova, grandson of Novac.

Radivoiu, brother of Novac (Hasdeu, Col. lui Traian, 1882, p. 622). This is the same as Rhadamanthos, the brother of Minos / Saturn (Pindar, Ol. II. 83; Homer, Iliad, XIV. 322; Odyssey, IV. 564).

Balaban, another brother of Novac, identical with Belus, the king of Chaldea and Assyria (Philo, Ph. H. fr. 2).

50 old uncles, “all strong local Romanians” (Marian, Poesii pop. ed. 1873, p. 142).

50 – 70 little cousins “born from two sisters”

50 – 80 little nephews.

 

As we see, in Romanian traditional songs there are mentioned three Iovita: one is Novac’s legitimate son, another is illegitimate, and a third is his grandson.     

The theologians of ancient times, writes Cicero, also counted three Joves (N. D. III. 21). But their genealogy was different. One was an uncle of Saturn, the second, a brother and the third, a son.

 

In Romanian historical poems, Gruia was the youngest son of Novac, and the most loved.

As a historical personality, Gruia is the same as Typhon, or Set of Greek and Egyptian traditions. He loots the southern countries in length and width, and he is called “Gruia of Novac, who beats the countries”. He throws himself against his adversaries as a wintry wind (Alecsandri, Poesii pop. 1866, p. 88; Hesiodus, Theog. v. 869). He comes, he passes, and he goes like a devil, with his head up (Marienescu, Balade, I. 71). He inspires unspeakable terror in his enemies, because of which he is called also “Roman Grue Grozovanul” (TN – Romanian Gruia the Terrible), and Gruia Grozavul (TN – Gruia the Terrible). He is the one who had cut down an emperor (Bibicescu, Poesii pop. d. Transilvania, p. 287) from the southern countries (Osyris). As long as he’d been young, “with 9 kings he had fought, all 9 kings he had beaten, and would still have liked some more” (Marian, Poesii pop. I. p.175) [5].

 

[5. By his name and genealogy, Gruia (Gruia Gruian with Teodorescu, p. 614) is also identical with Geryon of Greek traditions, called by Hesiodus Gerioneus tricharenos (with three heads, because they were three brothers). On an inscription from Gallia (Orelli nr. 1993) he is called Trigaranus and had as symbols three ravens. In ancient Greek language geranos, garan in the neo-Celtic languages, means raven (Rom. grue), Lat. grus. Hesiodus calls Geryon the son of Chrysaor ( = he with golden weapons). In Romanian epic songs, Novac, the father of Gruia, is also called Cres, from which the Greek Chrysaor had been later formed].

 

 The messenger of Gruia and of his father is the raven (Alexici, Texte, I. p. 18), the same symbol of Typhon (Set) in ancient Egyptian hieroglyphs [6].

 

[6.  Since Gruia had been little, he had a raven, Novac spoke to it:

“Raven, black bird, go, fly over the entire world,

Bring me news of my son, as I die longing for him”.

The raven beat its wings, and fiercely croaked,

Seven countries it flew, but Gruia did not find,

When it was in the seventh country, tired to death it was,

It started to croak, now and then to croak;

When Gruia heard it ….

 

(Marienescu, Balade, I. 85)

 

IV.

 

In Romanian epic poems, the country of Novac is called generally: Tera romanesca (Catana, Balade pop. p. 139; Alexici, Texte d. lit. pop. rom. I. 12) and “the Romanian country from the old Danube” (Corcea, Balade, p. 94). It is the same geographical name which we find with Homer and Hesiodus under the form ein ‘Arimois (the country of the Arimii), the country of Typhon and of the queen Echidna, the mother of Agathyrsus (Homer, Iliad, 783; Hesiodus, Theog. v. 304; Herodotus, lib. IV. 9).

We find the same name in the epic songs of the southern Slavs.

In Serbian poems, the residence of Novac is on the high mountain Romania, near Sarajevo (Gerhard’s Gesange d. Serben, p. 142), a geographical term which, as we see, is always connected with the name of Novac.

 

The residence of Novac is called in Romanian epic songs “White court” (Sezatoarea, Falticeni, IV. 7) and “Cerdacul lui (of) Novac” (cerdac = a small and high house with a porch, from which could be seen far into the distance). It was situated in the “mountains of Ardel” (Tocilescu, Mat. Folkl. 106, 173), also called Staridel, Steridel (Hasdeu, Columna l. Traian, 1882, 619; Corcea, Balade, 118; Alexici, Texte, I. 29; Tocilescu, Mat. Folkl. 1238), Cearidel and Cerdel (Tocilescu, Mat. Folkl. 107-108), because of which Novac and his sons are often called “brave men from Ardel”.

The courts of Saturn are called tursis by Pindar (Ol. II. 787). They had therefore the form of a tower (castle) of masonry or timber, built on top of a hill or a mountain, following the system of Tursenic architecture, and of the Pelasgian tribes called Mosyneci (Dionysius Halic. I. 26; Strabo, I. XII. 3. 18).

Cerdacul lui Novac” was situated close to Brasov (Tocilescu, Mater.Folkl. 1238), but according to other versions, it was near the western border of the Romanian Country, or on the hill of Feleac, near Cluj in Transilvania, etc.

 

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