PART 2 – Ch.XIV.8

(KION OURANOU. The Sky Column on Atlas Mountain

in the country of the Hyperboreans)

 

PART 2

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XIV. 8. The Sky Column from the Carpathians as symbol of immortality for the

            Pelasgians of Sicily.

 

We find the Sky Column from the Carpathians represented on two antique monuments of Sicily. One is a painting on a ceramic vase, the other is a funerary stela.

We shall talk here about both these relics of great importance for the history of the Sky Column from the ancient country of the Hyperboreans.

 

The decoration of the vase from Sicily has a mythological character.

It shows in the middle an enormous pillar of rock, whose forms are entirely identical with the W-NW face of the column from Omul Peak. A huge covered krater, having an almost spherical shape, is placed above this rock figured on the Sicilian vase. (We shall talk about this krater later, in a special chapter referring to the monuments of the prehistoric metallurgy).

On the right side of this rock is figured an old man with a white beard, clothed with a mantle and holding in his left hand the mace of the messenger. It is the god Hermes (Mercury), who leads Prometheus to be chained on the sky column. Near Hermes is seen the titan Prometheus, tired and shattered, sitting on a stone. He holds in his left hand an object which looks like the half split stalk of a plant (ferula). Hermes stretches out his right hand over the head of Prometheus and pronounces a sacred formula. In protest Prometheus covers his head with his right hand. On the left side of the rock is seen a woman dressed with a tunic and a hemi-diploidion. She is the goddess Themis, the personification of legal order. With her right hand she makes an imperative gesture towards Vulcan, the master smith, showing him the rock, while with her left hand she touches the belts which move the bellows of the smithy. By this she tells Vulcan what Jove had ordered, to chain and nail on this rock the astute Prometheus. (According to Eschyl – Prom. V. 12 – the giant Cratos / Power, accompanied by his sister Bia / Violence, symbolic personalities of theogony, lead Prometheus to the place of his ordeal, and Cratos communicates Jove’s order to Vulcan).

Vulcan, understanding the order he is receiving, turns to go to his smithy, making with his left hand a sign of immediate obedience [1].

 

[1. Some have believed that this scene represents a subject from the Lemnian mysteries. Lenormant (Elite des monuments ceramographiques, I. pl. XXIII) sees in this painting Vulcan among the Cyclopes, near the Etna mountain. These explanations are not acceptable, lacking a religious or mythological meaning. There is neither Cyclope in this composition, nor is the rock figured in the conical shape of the Etna volcano].

 

The artist had wanted to express at the same time that this scene took place on the peak of a high mountain from the north region. So he drew an undulated line of white dots at about half the height of the figures, which meant the height of the snow covering the top of this mountain.

 

 

From a historical point of view, the decoration from the Sicilian vase is important because the rock figured on it presents in everything the contours of the W-NW face of the sky column from the Carpathians.

But this painting brings to light at the same time another big, but obscure matter of the sacred geography of the Pelasgian epoch.

 

According to Homer (Iliad, XVIII. v. 140 seqq), the smithy of Vulcan was on ancient Olympus. Thetis, Achilles’ mother, addresses the following words to her sisters: “I am going to the great Olympus, to Vulcan, the illustrious master craftsman, to have him make fine, shiny weapons for my son”.

On the vase from Sicily the smithy of Vulcan is indicated as being close to the rock to which Prometheus is led, and this rock, we say it again, presents in everything the contours of the W-NW face of the column from the Carpathians.

We have here therefore an important document from the Italo-Greek antiquity, a document which gives us an absolute certitude that the prehistoric Olympus of the theogony, the Olympus from the ends of the earth, according to Hesiod, was that mountain on which were the legendary columns of the sky, Atlas from the country of the Hyperboreans, Olympus atlantiacus at Calpurnius (IV. v. 83), today Omul Peak of Bucegi Mountains, near the Lower Istru, where there are, apart from the columns,  the other monuments famous in the history of theogony, the figure of Zeus aigiochos and the cyclopean altars.

 

As I have already mentioned, three gigantic columns rise on this majestic peak of the Carpathians. Each of these columns had represented in antiquity a particular figure, each had a certain symbolic meaning.

These three columns, important monuments consecrated to the principal divinity of the Sky even during the times predating Troy, Mycenae, Tirynth and Thebes of Egypt, played an important role also in the religious beliefs of the Pelasgians of Sicily.

 

The three columns of the Sky as religious symbol

on a funerary stela from Lilybeu in Sicily.

 

(From Perrot et Chipiez, Phenicie – Cypre, p.309).

 

On a funerary stela discovered recently on the territory of the ancient town Lilybeu in Sicily (today the town Marsala), we see three columns represented on the upper part, the middle one higher, the side ones shorter, and above these columns there is a triangle and a celestial symbol. The town Lilybeu, as Diodorus Siculus tells us (lib. XXII. 10. 4), had been founded by the Carthagenese, who after the war with Dionysius, the tyrant of Syracuse, had resettled here the rest of the inhabitants of Motya, a town which had enjoyed a great prosperity.

These three columns figured on the upper part of the stela from Lilybeu represent the three columns of the sky from the Theogony of Hesiod (v. 522), called cardines mundi by the Roman authors, on which the sky was supported in the country of the Hyperboreans (Pliny, H. N. lib. IV. 26. 11; lib. II. c. 64). They are the three columns from the “Omul Peak”, whose group we see in the following picture.

 

 

The three Columns of the Sky on Omul Peak (Carpathians),

seen in a group.

 

(From a photograph by L. Adler, Brasov).

 

The Pelasgians of Sicily had, as we see, exactly as the Pelasgians of Greece and Italy, a belief in a survival in another blessed terrestrial region.

It was the doctrine of the Hyperboreans.

It was the same belief, as expressed in the tablets sent by them to Delos, that the souls of the deceased went for the supreme judgment to a certain place of their country, from where those who had led virtuous lives passed into the region of the pious (Plato, Opera, Ed. Didot, Tom. II. p. 561).

This same belief is expressed also by Hesiod when he says that the souls of the heroes fallen in the wars of Thebes and Troy had been taken to the blessed islands from the ends of the earth, near the Ocean with deep eddies (Opera et Dies, v. 161 seqq). One of these blessed islands was, as we know, Leuce island from the mouths of the Danube (Pliny, lib. IV. 27. 1: “eadem Leuce et Macaron appellata”). Here the legends and the ancient paintings show us Achilles, Ajax, Telamon, Patroclus, Antilochus, Menelaus, Helena and Agamemnon, leading a happy and eternal life (Pausanias, lib. III. 19. 11-13).

The Pelasgians of Sicily, called also Sicani and Siculi, appear in Greek and Roman traditions as the earliest inhabitants of Italy. They had dwelt firstly in Umbria and around Ariminium (Pliny, H. N. lib. III. 19. 1). But after the invasion of the Umbrians, they were forced to move and lived for some time in Latium (Ibid, lib. III. 9. 4). Pushed by other Pelasgian tribes, they moved again their dwellings to lower Italy, in Brutium and Lucania (Ibid, lib. III. 10. 1), from where, pushed again by new currents coming from the upper parts of Italy, they crossed the sea to Sicily (Dionysius Halik. Lib. I. 22), which got this name from their name (first Sicania, then Sicilia).

The migration of these Pelasgians to Sicily had taken place therefore on the continental road of Italy, from the Alps towards south. But they were coming from the great center of the Pelasgian world, from the Carpathians, where, due to an immense agglomeration of tribes and maybe also following some political events, they had separated and gone onwards with their flocks. This is proved by their national and religious symbol, the columns of the sky from the Carpathians. The Pelasgians from all the countries had a particular cult for their original country from near the Istru.

An ancient town on the north shore of Sicily was called during the Roman epoch Agathyrson (Agathyrsa, or Agathyrnum), which meant that its inhabitants were from the nation or from the country of the Agathyrses. They had preserved until late a spirit of independence. They did not acknowledge either the laws, or the authority of others.

Livy calls them (Rer. Rom. lib. XXVI. c. 40) foreigners and adventurers, brought together from all the corners of the world, men who deserved death, who lived from kidnapping and robbery, so much so that the consul M. Valerius Laevin was forced in 210bc to transport 4000 inhabitants of Agathyrson to Italy. A fortified little town with the name Aegitharsus existed also near Lilybeu (Ptolemy, lib. III. 4. 3).

Near the famous Agathyrson from the north shore of Sicily there also existed another flourishing Pelasgian town called on its coins Alontinoi (British Mus. Sicily, 30), a name which presents a curious resemblance with the form of Alutani, Romanian Olteni.

And on the south shore of Sicily had been founded even in remote prehistoric times a town called Cauconia (Ptolemy, Ed. Didot, lib. III. 4. 5), the first inhabitants of which had probably been only a fragment of the Dacian tribe called by Ptolemy Caucoenses.

Finally, there still existed a prehistoric tradition about a migration from the lower Istru to this island of the Mediterranean.

The titan Typhon, defeated by Jove, ran, as the Greek authors tell us, to Sicily (Apollodorus, Bibl. lib. I. 6. 3).

 

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